The 2011 Decibel Festival starts off with the type of intensity normally reserved for crabbing runs in the Bering Sea. Jon McMillion’s kinetic psychedelia transmits infrasonic waves and techno rhythms. His soundscapes create dynamic spatial frequencies and disrupt Seattle autumnal entropy. 214’s electrocrunk booty bass is open for business all night long. Just try to sit still while watching him on double Electribes, cutting the groove with acid bass lines that would make Josh Wink laugh. In a sea of international talent, these two Seattle luminaries glow with iridescence. Their talent shines like a beacon in the night, lighting the way to the future of electronic music.